By Geng Song, Derek Hird
ISBN-10: 9004264892
ISBN-13: 9789004264892
In males and Masculinities in modern China, Geng music and Derek Hird provide an account of chinese language masculinities in media discourse and way of life, masking masculinities on tv, in way of life magazines, in our on-line world, at paintings, at relaxation, and at domestic. No different paintings covers the types and practices of fellows and masculinities in modern China so comprehensively. via conscientiously exploring the worldwide, neighborhood and native impacts on males and representations of guys in postmillennial China, track and Hird exhibit that chinese language masculinity is whatever yet monolithic. They show a fancy, moving plurality of guys and masculinities—from stay-at-home web geeks to karaoke-singing, relationship-building businessmen—which contest and consolidate “conventional” notions of masculinity in a number of methods.
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Additional info for Men and Masculinities in Contemporary China
Sample text
The thirtyepisode series, based on the novel of the same title by an ex-PLA officer named Du Liang, tells the story of a fictional high-ranking general in the PLA during the Anti-Japanese War and the Civil War. ”12 As an indicator of the show’s popularity and influence, “the spirit of unsheathing the sword” (liangjian jingshen) became a buzzword in China soon after the drama aired. The most prominent feature of this program is that the characterization of the hero, Li Yunlong (Li Youbin), conspicuously deviates from the stereotyped formula of “revolutionary heroism” and has thus aroused a great deal of controversy.
As the Chinese saying goes, “a hero dotes on other heroes” (yingxiong xi yingxiong). After meeting with Shouting, Ding Wendong enviously says to Zhou Taofei, “His eyes never left your face. ” Homosocial desire, which is in the core of masculine discourse in the Chinese tradition, is even more salient in the other two TV dramas to be discussed below. The drama also depicts Shouting’s faithfulness to his wife and his immunity to the temptation of female charms. His wife, Caiqin, is an illiterate rural woman who grew up with him.
Homosocial desire, which is in the core of masculine discourse in the Chinese tradition, is even more salient in the other two TV dramas to be discussed below. The drama also depicts Shouting’s faithfulness to his wife and his immunity to the temptation of female charms. His wife, Caiqin, is an illiterate rural woman who grew up with him. When he comes to Qingdao to run the factory, Caiqin remains in the village to look after their parents and son. The couple remains faithful to each other throughout the tale.