By Kenneth Yasuda
ISBN-10: 1462901999
ISBN-13: 9781462901999
Read or Download Japanese Haiku: Its Essential Nature and History PDF
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Extra resources for Japanese Haiku: Its Essential Nature and History
Sample text
What” he saw will be his poem and can be expressed and experienced only in his poem. As Brooks has put it, “the total poem is . . ”8 Let us deal briefly with the question of what constitutes failures in form—briefly, since the topic has already been * Interestingly enough, such demands were made in almost identical terms in France during the nineteenth century and in Japan during the late Meiji period. See Albert Cassagne, La théorie de l’Art pour l’Art en France (Paris: Hachette, 1906). Also see pages 36–39 following.
This unity . . has various “aspects” or “sides”; . . if you try to examine one, you also find it is the other. Call them substance and form, if you please, but these are not reciprocally exclusive. . —are generally based on the assumption that content is separable from form, and that indeed art itself is only a prettifying of some practical point of view to Japanese Haiku final:Japanese Haiku final 5/5/11 3:24 PM Page 36 36 The Japanese Haiku make it acceptable to the masses or to explain some aspect of the world of confusion in which we are said to live.
A loneliness is there, and a mystic power which holds us close with an acute feeling akin to melancholy sadness, tinged with acceptance. The three objects mentioned—the withered bough, a crow, autumn evening—have the same feeling and we are moved by and impressed with this common emotion existing among those three; and only through them can we feel that emotion, that sense of the essence of this autumn evening, through our intuition. Here we want no adjective to blur our impression; the picture speaks for itself.