By Lachlan Whalen (auth.)
ISBN-10: 1349538876
ISBN-13: 9781349538874
Read or Download Contemporary Irish Republican Prison Writing: Writing and Resistance PDF
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Extra info for Contemporary Irish Republican Prison Writing: Writing and Resistance
Sample text
The ramifications of this removal from the present become clearer when one considers the interrogation techniques used on inmates of the Cages. From the very first moment that the British government reintroduced Internment in 1971, the Security Forces attempted to control the manner in which prisoners experience time, and the experiences of the “Hooded Men” provide grim example of the manner in which time itself can be manipulated into a tool of counterinsurgency. 62 “Our Barbed Wire Ivory Tower” 35 Sensory deprivation was at the heart of this abuse, and as the name bestowed upon them emphasizes, during their interrogation the heads of these internees were completely covered by hoods.
16 While at first glance this practice may seem only absurd, the 20 Irish Republican Prison Writing propaganda effect of a Sinn Féin representative’s voiceover being done by a sinister-voiced actor cannot be dismissed. In contrast, prison writings such as those collected in Cage Eleven allow the victims of such censorship more opportunity to speak in their own unaltered voices. While undoubtedly many prison authors have an audience in mind while composing a text, in many instances the true impact of words from jail is felt most keenly by the incarcerated writers themselves.
48 In this fashion Adams’s article blends individual voices to speak for a collective experience of Irish prisoners in British prisons, citing separate experiences only to illustrate what may be happening to Stagg. “Frank Stagg” is at once the individual hunger striker, the ideology for which he stands, the process of composition, and the article that results from this collective effort. 30 Irish Republican Prison Writing Adams faoi ghlas, Adams taoibh amuigh In the introduction to this book, I outline some of the general characteristics differentiating texts produced faoi ghlas (during incarceration) from those produced taoibh amuigh (outside prison walls, subsequent to release), and the revisions that the “Brownie” articles underwent in their transformation to the texts appearing in Cage Eleven provide textbook examples of the manner in which texts composed in prison can differ from those written and revised outside.